Description
To Kill A Crested Bellbird, back cover blurb in Word
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Alternately tragic and comic, often in the same sentence, and with not a word of dialogue or deft cadence out of place, – Peter Goldsworthy
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The jurys in, sequestered-slash-quarantined overnight on a serious criminal case in the suitably imposing Alice Springs courthouse. But the jurys well and truly out on whether or not justice will be served, what with all the baggage the jurors have brought to the case, the misapprehensions. To say nothing of their phones to help combat Covid. Then theres the judges baggage.
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The case, prosecuted in this collections novella, is encountered via short stories set even more remotely. Theyre like unsettled little satellite settlements around any really remote town, outliers outlaws to the towns edifice of law. But the police are never far away. Supposedly just eight minutes away, for instance, while a break-and-enter victim and the young trespasser watch very early morning commercial TV together waiting. Or left for dead well, left floundering in a roadside ditch at least by the Black Elvis, a modern, musical, Aboriginal, outback Robin Hood. Of sorts.
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Loosely law-themed, and loosely but lovingly illustrated, Crested Bellbird has many voices.
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